The works are a process of experimentation with materiality, surface and mark making. This progressed up to 2004 to include works without the intervention of the hand or brush, from 2006 certain brush work is again visible. The work has become an abstract representation of an energy force, a technical, physical process of the application of paint on canvas suggestive of, but not necessarily representative of the organic world. The tension between intention and accident generates a strong, flowing sense of movement within the gesture and disrupts the phenomenology of what paint is expected to do. The physicality of the gesture is accentuated by the size of the canvas and the freedom of the body to create gestural marks similar in size to the artist, referencing the tracing of the body through time.